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What are you listening to? ver. 15.0

In the Heat Of The Night - Ray Charles / Music by Quincy Jones / Billy Preston - organ

Theme song from the 1967 movie soundtrack. Also the cover song of the 1988-1995 television series starring Carroll O'Connor.

 
Bernie Leadon’s journey has been filled with music, memories, and moments that shaped rock history. Too Many Memories is a moving, visual time capsule. A rare childhood photo, early band days, and intimate snapshots with the Eagles, honoring those who shaped him.

It’s a reflection on a life lived fully, without regret. A surrender. A gathering of milestones, and quiet in-between moments that defined him. It’s a tribute to those who stood beside him, those who are gone, and the joy and lessons they left behind.

He shows us when time strips away the weight of grudges, it merely leaves the truth of what matters.

“Sooner or later
Got to chase down those shadows & let it all go
Melt like fog in the meadow”.

Bernie once again, delivers an emotional masterpiece. One that not only glimpses back but shares a triumphant, vision of peace.

 
“Sunday Mornin’ Ain’t for Sinners Like Me” is a raw, emotional country ballad. It tells the story of a man who feels too broken for redemption, yet deep down still holds onto hope. Grit, soul, regret, and the faint sound of grace, this song walks the line between damnation and deliverance. A modern outlaw country anthem for the lost souls searching for light.

 
Written by John as an expression of his love for Yoko Ono, the song is heartfelt and passionate. As John told Rolling Stone magazine in 1970, “When it gets down to it, when you’re drowning, you don’t say, ‘I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me,’ you just scream.

”During filming on the roof of Apple, two days after the recording of the track, the band played ‘Don’t Let Me Down’ right after doing two versions of 'Get Back’ and it led straight into 'I’ve Got A Feeling’. Michael Lindsay-Hogg was once again directing a Beatles’ shoot. He and Paul met regularly at the tail end of 1968, while Hogg was directing The Rolling Stones Rock and Roll Circus, to discuss the filming of The Beatles’ session in January. By the time that fateful Thursday came around, the penultimate day of January would be the last time The Beatles ever played together in front of any kind of audience.



.This is not the version of ‘Don’t Let Me Down’ heard on the single but the version from the Let It Be… Naked album – a composite of both versions that were performed on the roof of Apple in Savile Row
 
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