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code1211 said:I would argue that what has changed is the introduction of the most valuable thing to ever be introduced into societies and that is the use and exploitation of Fossil Fuels.
Yep--essentially, that's correct, though I would point out that people had reasonably good lives in the 17th century, before coal became a significant fuel source. However, fossil fuels definitely changed the picture.
code1211 said:You seem to be arguing that because a person lives in a society that the society then is completely responsible for the creations of that individual. This is rubbish.
Not completely, but (roughly) 90% of them. I'm making the assumption that your Picasso argument is meant to show that my claim is rubbish--in which case, see below. If not, may I assume that an argument to support your assertion is forthcoming?
code1211 said:Picasso painted Guernica and when asked by a Nazi if he created that work, Picasso famously replied that the Nazi asking the question had done so. Picasso watched the horrible carnage of man and beast and building and created the master piece. He would not have been inspired to do so without the bombings, but the bombings did not apply the paint to canvas nor did the bombings create the Cubist view of the world with a single view point moving through time and space. Picasso and other cubists did this.
Alright, this is an interesting example, because it's probably about the best one that can be made for your case. I will therefore respond in detail.
Recall that my claim is that, (1) when it comes to the accumulation of wealth, societies are largely responsible, and the contribution of individuals miniscule in comparison. By extension, I said also that (2) even great geniuses such as Einstein don't do as much under their own steam, so to speak, as is commonly thought. Those are my two claims, and I've put numbers in front of each one to try to be helpful.
So now, Picasso painted Guernica, Les Demoiselles, The Old Guitarist, and other famous paintings, and I certainly agree that the composition of each of his painting was entirely his own--he didn't steal anyone's work or anything. But now, he could not have made any of those paintings without a canvas, and brushes, and pigments, and so on, and these were all made and invented by other people. He certainly could not have painted without a studio, and a dwelling that took care of his need for shelter. He needed to rely on others to get his food, water, medicine, and other such. Had he been required to, say, capture or grow all his food, he might never have painted a single thing. It was only by being embedded within a society that Picasso could become a painter. And it is only through the products of society that his paintings can be considered any kind of wealth--it is unlikely that a subsistence society that is barely scraping by and whose members spend all their available time just surviving would have any interest in Picasso at all.
Now Picasso, and artists in general, are an unusual case in they do more to effect pure creation than do most other members of society. Bill Gates (to return to his example) created far less than Picasso ever did, and the wealth Gates accumulated is due even less to his own genius than is Picasso's.
I just don't see how any of these points can be denied, and they, combined with the Bill Gates example I gave in my earlier post, seem more than sufficient to establish the truth of claim 1.